We needed to decide what costume we were going to use for our music and whether or not we should use one costume or multiple ones for the video. Our results came back quite one sided. After asking our classmates we saw that the idea of casual clothing was quite a dominant choice over the others. Even though this was quite one sided me and Henry still decided to use two costumes for the whole video. Otherwise the view of the character would be quite boring and there would be a lack of range in the video. By a suit we would be wearing a tie, shirt blazer etc. For casual it would be clothes that are more related to the band who sings the song. And for baggy and ripped it would be quite dark clothes that are in quite bad condition. Overall though me and my partner decided to use the suit and the casual approach to the video. The suit would be used for the flashbacks so that the black and white would work even more effectively. The casual clothing would be used for the shots where our character is singing and progressing his journey.
Friday, 27 September 2013
Tuesday, 24 September 2013
Shooting Schedule for Outdoor Shots
|
Shot number
|
Shot content
|
Shot type
|
Shot length
|
|
1
|
Walking on pavement.
|
MCU
|
3sc
|
|
2
|
Walking in the field.
|
MCU
|
3sc
|
|
3
|
Character walking to guitar in the foreground and him in the
background.
|
MCU/LS
|
3sc
|
|
4
|
Character grabbing the guitar
|
CU
|
1.5sc
|
|
5
|
Character playing the guitar in the field
|
MLS
|
2sc
|
|
6
|
Camera tilting up from characters feet in the city. Rising to look up
at his face.
|
|
3sc
|
|
7
|
Photo taking up the frame of the location. Character holding this
photo
|
CU
|
2sc
|
|
8
|
Camera looking at character from behind as he walks away into the
city.
|
LS
|
4sc
|
|
9
|
Character singing in the field.
|
MCU
|
3sc
|
|
10
|
Character from behind being silhouetted by street light.
|
LS
|
2sc
|
|
11
|
Character grabbing blanket off the street floor. Night.
|
MCU
|
1.5sc
|
|
12
|
Character putting the blanket on him. Night
|
MS
|
1.5sc
|
|
13
|
Character singing in the field.
|
LS
|
8sc
|
|
14
|
Character waking up with blanket on him in the day.
|
MCU
|
3sc
|
|
15
|
Character throw blanket off him and starts to get up.
|
MS
|
2sc
|
|
16
|
Singing in the field
|
CU
|
4sc
|
|
17
|
Character running away from the position of blanket.
|
LS/MCU
|
2sc
|
|
18
|
Camera moving through the streets and coming up to the character from
behind to then rotate around his head.
|
|
7sc
|
Shooting Schedule for Indoor Shots
|
Shot Number
|
Content
|
Shot Type
|
Shot Length
|
|
1
|
Man lying in bed with
bedside table and photo on top of it. Blur swap effect. After this character
starts to rise out of bed.
|
MCU
|
5sc
|
|
2
|
Character from behind
rising out of the bed. Match on action.
|
MLS
|
3sc
|
|
3
|
Character head on to
the camera singing the first line.
|
MCU
|
4sc
|
|
4
|
Flashback of character
throwing object across the room in anger.
|
LS
|
1sc
|
|
5
|
Returns to character
singing head on to camera (starting the second line)
|
MCU
|
2sc
|
|
6
|
Character holding the
glass and releasing it from his hands. Slow motion.
|
CU
|
3sc
|
|
7
|
Glass smashing on the
floor. Slow motion.
|
CU
|
4sc
|
|
8
|
Smoke coming out of
characters mouth.
|
CU
|
3sc
|
|
9
|
Cigarette burning in
the ash tray.
|
CU
|
2sc
|
Lyric Timings
Intro: guitar only (23 seconds)
Today is gonna be the day that they're gonna throw it back to you(4 seconds)
By now, you should've somehow realized what you gotta do(4 seconds)
I don't believe that anybody feels the way I do about you now(6 seconds)
(5 second guitar)
Backbeat, the word is on the street that the fire in your heart is out(4 seconds)
I'm sure you've heard it all before, but you never really had a doubt(4 seconds)
I don't believe that anybody feels the way I do about you now(6 seconds)
(6 second guitar)
And all the roads we have to walk are winding (3 seconds)
And all the lights that lead us there are blinding ( 3 seconds)
There are many things that I would like to say to you, but I don't know how (6 seconds)
(3 second violin)
Because maybe you're gonna be the one that saves me( 8 seconds)
And after all, you're my wonderwall ( 8 seconds)
(5 second pause)
Today was gonna be the day, but they'll never throw it back to you (4 seconds)
By now, you should've somehow realized what you're not to do ( 4 seconds)
I don't believe that anybody feels the way I do about you now (6 seconds)
(5 second guitar)
And all the roads that lead you there were winding (3 seconds)
And all the lights that light the way are blinding (3 seconds)
There are many things that I would like to say to you, but I don't know how (6 seconds)
(5 second violin)
I said maybe you're gonna be the one that saves me (8 seconds)
And after all, you're my wonderwall (8 seconds)
I said maybe (I said maybe) you're gonna be the one that saves me (8 seconds)
And after all, you're my wonderwall (8 seconds)
I said maybe (I said maybe) you're gonna be the one that saves me (8 seconds)
You're gonna be the one that saves me (6 seconds)
You're gonna be the one that saves me ( 6 seconds)
Today is gonna be the day that they're gonna throw it back to you(4 seconds)
By now, you should've somehow realized what you gotta do(4 seconds)
I don't believe that anybody feels the way I do about you now(6 seconds)
(5 second guitar)
Backbeat, the word is on the street that the fire in your heart is out(4 seconds)
I'm sure you've heard it all before, but you never really had a doubt(4 seconds)
I don't believe that anybody feels the way I do about you now(6 seconds)
(6 second guitar)
And all the roads we have to walk are winding (3 seconds)
And all the lights that lead us there are blinding ( 3 seconds)
There are many things that I would like to say to you, but I don't know how (6 seconds)
(3 second violin)
Because maybe you're gonna be the one that saves me( 8 seconds)
And after all, you're my wonderwall ( 8 seconds)
(5 second pause)
Today was gonna be the day, but they'll never throw it back to you (4 seconds)
By now, you should've somehow realized what you're not to do ( 4 seconds)
I don't believe that anybody feels the way I do about you now (6 seconds)
(5 second guitar)
And all the roads that lead you there were winding (3 seconds)
And all the lights that light the way are blinding (3 seconds)
There are many things that I would like to say to you, but I don't know how (6 seconds)
(5 second violin)
I said maybe you're gonna be the one that saves me (8 seconds)
And after all, you're my wonderwall (8 seconds)
I said maybe (I said maybe) you're gonna be the one that saves me (8 seconds)
And after all, you're my wonderwall (8 seconds)
I said maybe (I said maybe) you're gonna be the one that saves me (8 seconds)
You're gonna be the one that saves me (6 seconds)
You're gonna be the one that saves me ( 6 seconds)
Tuesday, 17 September 2013
Oasis Wonderwall - Video Analysis
There is no specific story to this music video, only a few objects and people that symbolise the chorus and name of the song. They use kind of circus people and objects to represent the wonderwall that they are singing about. Overall i think that this video might have been relating to the band on a personal level rather then the audience.
The lighting of this video is all in black and white so it is hard to distinguish specific types of key and back lighting that would aid this video. The lighting did help the audience to view the different scenes that were taking place in this video. The camera shots tended to be a lot of close-ups and medium long shots. This was because the band wanted the audience to focus on specific objects and people.
The performance was mostly of Noel Gallagher and the band playing. A lot of the shots were of Noel singing and then there were other cut offs to random shots that involved some form of band member playing their instrument or of something circus related. There are not a lot of shots that present much of a performance for this video. These shots represent people being his wonderwall.
The costume of these band members is quite casual and the main singer almost looks like the portrayal of John Lennon.
The lighting of this video is all in black and white so it is hard to distinguish specific types of key and back lighting that would aid this video. The lighting did help the audience to view the different scenes that were taking place in this video. The camera shots tended to be a lot of close-ups and medium long shots. This was because the band wanted the audience to focus on specific objects and people.
The performance was mostly of Noel Gallagher and the band playing. A lot of the shots were of Noel singing and then there were other cut offs to random shots that involved some form of band member playing their instrument or of something circus related. There are not a lot of shots that present much of a performance for this video. These shots represent people being his wonderwall.
The costume of these band members is quite casual and the main singer almost looks like the portrayal of John Lennon.
Sunday, 15 September 2013
Costume and prop planning
For the costumes we were thinking to dress the character in
a skinny suit to represent the rock/Indie that this song was representing. We
wanted to stay as far away to the original song video as possible so that we
could develop our own ideas and make it adjusted to us. This pos-
sibility for
the suit is quite high because of the contrast that the character will have
with other places around him. For example, we are setting part of our shot in
the countryside, which means that a lot of the surroundings will be green.
Therefor the character will be wearing black and white and the contrast for the
shot will be great and it will mean that we will not have to colour correct the
clip that much.
Another potential idea for the costume would just be baggy
clothes that would suit an everyday man. The reason for this is because that it
would have a person connection with the audience if the character was wearing
everyday clothes and it could put the viewers in the shoes of the character.
Although that this might be quite a good effect to portray it means that the
costume would be quite boring and would not really stand out of the ordinary
which is not the effect that we want. This costume could also keep things down
to reality and make the whole video more believable. The reason we would want
to do this is because we are making this music video quite abstract.
For a prop I think that it would be suitable to use some
sort of instrument. The most likely one that we are going to use is a guitar (acoustic).
This is so that we can have to character doing a bit more than just walking
around and it will give us a more range of shots that we can add and use. This
will also give out character something to do with his hands. The guitar will
not be with him in every scene because there are other ideas that I have for him;
it’s just something for the musical side of it instead of just the story.
I also think that we should have some sort of symbol in this
music video to represent something in specific. I think that this symbol will
be a snow globe of a city or place and the character is travelling to get
there. I think that this would be a great symbol and it will be a good object
for the camera to cut away to now and again as a reminder for the character and
for the audience. The reason I want to add this into my piece is because I think
that it is important for the character to be trying to get somewhere and he
needs some sort of motive in order to progress this journey. It also gives us a
lot of different things to film. Location planning
As we have chosen our song to be wonderwall by oasis, there
are a vast amount of locations that we could use to film this. My first idea
was to film this out side on hilltops because of the cliffs and deep scenery
that would surround the characters. In the lyrics of wonderwall there is a part
that says “maybe, you’re gonna be the one that saves me”. This made me think
that the main character of the video would be falling off a cliff and gets
saved by some form of miracle or person as a moral. I thought that this would
be a good idea because of the bright skies and the contrasts that would be
created with the characters and the fields. A disadvantage that I saw with a
location like this would be the silhouette of the characters if they were
against the sun on the fields. I thought that this might be a good chance to
take advantage of this effect but I think that it would get boring after a
while for the audience.
I tried to take a lot of the lyrics into consideration of
where I was going to film this video. Another set of lyrics that I found were
“and all the roads we had to walk are winding, and all the lights that light
the way are blinding”. The first thing that popped into my head for these
lyrics is a city scene that would be hosted by the night with bright
streetlights. These lights could have great effects on my character because
they could silhouette them again. And it would also light the near by scenery
very well with its orange glow. This would present some ideal effects for
characters and camera. Also if I could get an establishing shot of this city
then I would be able to create some great effects in the editing process on the
clip. This could include streaming lights through all the roads at night to
show time speeding through.
One other idea that I had for a location would be to host
the video in an English home. The reason I thought this was because that this
video could be about a relationship that is recovering from some rough patches.
If this was the case then I think that the video would start with a lot of
arguing at the beginning and then slowly get better through out. Most of these
scenes would suit the location of a home best because it brings the audience
closer to the characters because of the small spaces. Also if we were to film in
a small living room then we would have limited space to move which would mean
that most of the shots were medium long shots, medium shots or close ups. This
would present some quite limited shots that I would be able to use for the
video, but on the other hand it would bring the camera closer to the relevant
characters and objects that are in the music video.Survey - who watches music videos?
For my survey I asked a range of people of different ages if
they watched music videos. The Results that I gained were very interesting but
not very surprising and it really helped me suit my music videos preferences to
a specific age so that I would get the most popular result.
As you can see the results were not surprising, but this
still did help massively on whom my music video should appeal to. It also helps
me on to what type of content I should put into my music video in order for it
to appeal to people between the ages of 15 and 25. I got these results from
asking people in my class, a range of teachers and older neighbours that live
around my street. This mean that I had a range of ages and my survey would
become more useful and accurate.
Performance planning
For our performance in the music video we are going to use Henry
as our singer and actor in the performance. This is quite an easy character to
use because he is my partner during the process of this projects there for her
will be available to me at all times. We would be filming with henry in
multiple different locations for a lot of different scenes. These locations
would be near enough in the same location, which means that we will not have to
be doing too much travelling to each location. The times that we will be
filming vary and I can access Henry at any time, which is useful because it
means that we will be able to take some spontaneous filming if we need to.
Henry will be in a range of shots including in the locations including in the
place of, English countryside, a city and a typical suburban home, which can
host a lot of the happenings. We will only be using Henry as a character for
the music video because we only need him as a vocalist and actor for the whole
shoot. This gives us time to focus on a lot more important aspects of the music
video. The times that we will be filming with Henry are most likely to be
between the dates of 20/09/13 – 27/09/13. This will give us a week with Henry
and we will be able to take all the necessary shots in order to come out with a
successful product. We are representing henry as a man with a lot of issues. He is a working class man that has recently split up with a woman of his dreams and it is his plan to go back to the place where they met and find this woman. He is shown to have some form of drinking problem in this video and this show through flash backs and many other shots of his disturbed mood. He will be dressed in quite casual urban clothing. This is helping to representing the band and the kind of person that he actually is.
Analysis of music video (Eminem - Lose Yourself)
The story of this video is from the film that Eminem made called
8 mile. It is the story of how he became famous as a singer and all of the
clips throughout this music video are from the film and all the lyrics are
directly related to these specific points in his life. It is excellent the way
that they have done this because it gives Eminem representation for his film by
having the song in it, and also when creating the music video it gives him
publicity for his film. This means that he is helping out both media products
that he has produced create more money.
The lighting of this video is quite dark most of the time
because of the films being set in the darkness because of rap battles etc. This
means that you could still see everything that was going on in the film but
also there was a slightly more depressing look upon the whole situation that he
goes through. The camera work in this music video is mostly from a film, so the
types of shots vary. However when the camera is just on Eminem singing alone,
It is a medium long shot showing quite a lot of his body in the frame. At the
beginning of this music video though there are a lot of establishing shots of a
city so that the audience knows where it was hosted.
The performance is yet again mostly from the film so the
acting is quite serious and stays in the theme of the lyrics. This is important
to have this kind of film and music video link sometimes because films are more
likely to explain the song’s lyrics in a way a music video couldn’t. Eminem
does fantastic in his film because he is basically re-acting his life which
means that he can use his part really personally. The other performance that
takes place is just Eminem singing the words to his song with the sign “8-mile”
in the background to represent the film if the audience are unsure.
The costume that Eminem where’s tends to be quite baggy and “street”
wear. This is because of the type of person that he is represented as when he
was young
The location is a rural and rough place in a city in America.
All of this video is hosted there because of the significance it has to the
film and his life. The representation of rappers in this film is very specific
and true. It represents them as people who battle with their voices, it shows
their style, the way the act and the way they talk which is very important. The
reason this representation is so close to the real people is because these
events are a true story.
Analyisis of music video (Coldplay - Paradise)
http://www.youtube.com/watch?v=1G4isv_Fylg
The music video for this dong is very strange and is used for
comedic purposes. They are using a person dressed up as an animal that escapes
from the zoo and goes off into the wild. The story to this song is still
significant but there are a lot of things that are happen and the whole video
revolves around the progression of this animal getting to paradise. It is a
very interesting video and a lot of it has a lower effect on it so that the
pace isn't too fast and so that the audience can keep up with it.
The lighting of this music video is very bright because of
the sunshine that beams onto most of the shots. It helps the audience visualize paradise and gives them a clearer look on all the scenes that are taking place. The camera work in this video is very standard and a lot of the shots vary on
what the character of this video doing. The shots are sometimes slowed down and
it is all focusing on what the characters next stage of escape is. A lot of the
shots are eye line matches. This means that whatever the character is looking
at, the camera will then cut away to the object or place that their eyes are focusing
on.
The performance of this video is quite unique because the
main singer is dressed up as an elephant and he is escaping from the zoo to
join the rest of his friends in “paradise”. There is some hints of them all
performing as a group but they are all dressed as elephants and they are either
in a field or on a massive stage. They only perform towards the end of the
video and it is all still with their costumes on so you can kind of tell who is
who because of the instruments they are holding but it does require some thinking
for the audience.
The costumes are peculiar in this because of the elephant costumes
but that is about all that stand out from this video costume wise. On the way through
this video there are no significant props that aid the character or video apart from
the unicycle that he uses to travel to his destination and the instruments.
The location of this starts off in a public zoo and he slowly
progresses through streets and an airport and then finally onto the road and
final location. There is also the location of the stage at the end where they
are all performing. There is a really good range of places where they filmed
this video and it definitely keeps the audience interested and eyes fixed to
see where the character ends up next. This is one of the reasons why it is
really important to have a story in your music video, so that it gives the
audience more of a reason to watch and listen to it.
There are not really any specific representations here apart
from maybe animals wanting to be free. Other that there are no specific or key
people that we can look at because of the whole abstract approach that they
took to making this video. One part of this music video that I likes was the
chorus kicked in towards the end, this was when the character was re-joined
with his group and started dancing etc.
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